Steel
Panther have gained quite a bit of notoriety in the past five or so
years. I think it’s great; I still remember finding out about them through
YouTube videos before they released their first album Feel the Steel. My favourite video is of them with Bon Jovi
keyboardist David Bryan playing Runaway. But their real international notoriety
has come from their shtick of being a modern 80s hair metal band musically with
the most vulgar lyrics you could possibly think of.
I’ve done over a hundred of these now so it’s getting hard to
find clever ways to introduce my articles. It’s frustrating really, I enjoy my
rants, sometimes relevant, sometimes not so much, but after thinking about it
for days, I just can’t find one this time. It’s unfortunate because Toronto
hard rock band Social Strife really
do deserve a good introduction to their featured article on my site for their
five-track self titled EP which is nothing short of a classic hard rock sound
that can stand pretty tall in today’s rock music.
It took me a little longer than I’d like to admit to truly
appreciate Jake E. Lee. He is known
prominently as one of Ozzy Osbourne’s
most popular guitarists, having played on his immortal Bark At The Moon album, but it wasn’t until I first heard Shot In The Dark from his second album
with Ozzy, The Ultimate Sin, when I
first truly discovered who this man was. I was in my early years of high school
by this time. It was a little bit after then that I discovered Badlands; the other band Jake is well
known for. However, despite having found out of his existence, I still didn’t
truly have a grasp on how significant Jake E. Lee is as a guitar player. Just
before graduation, I got my hands on a copy of The Ultimate Sin and was blown away. To this day it remains my favourite
Ozzy album, completely because of Jake E. Lee’s ability to bring the best out
of Ozzy Osbourne as a singer.
The good thing about having already discussed Five Finger Death Punch when I wrote
about Volume 1 of The Wrong Side of Heaven and the Righteous Side of Hell is that I can just go straight to the
point with Volume 2. There have been a number of bands doing what Five Finger Death
Punch did in releasing an album in two parts a few months away from each other.
Stone Sour also recently did it, and
Green Day released three albums in a
matter of about four months last year. It’s a trend I hope doesn’t stay. I mean
sure, the more music from a band that I like the better, but why does it have
to be released in the same year?
There was a time when active artists would, more consistently
than not, release a new album every year. The main reason for this being, in a
world with no internet, the only way bands could be sure they would remain
relevant in the music world was by always releasing new music. Many times I
wish bands still did this; it gets frustrating sometimes waiting the usual three
years for new music from an artist. The reality, though, is that by waiting an
extended period of time between albums, artists have more time to make sure
they are writing the best material possible. The term “filler” doesn’t apply to
as many albums now as it used to.
I’ve spoken negatively on “metalcore” before. It’s not that I
don’t enjoy it. I do. It is good music to listen to when you want something
loud, but in many cases, that’s all it is good for. Some bands stand out over
others, but much of the time, it is the same blend of screaming and clean
vocals; sometimes these clean vocals can be quite melodic, and sometimes just
bland. A must in the genre seems to be fast virtuoso guitar playing with notes
going so fast that you can’t even remember what just happened. Then there are
the haters; the people who, no matter how hard the band tries to change their
sound or whatever, still hate the band for everything they are.
I don’t think I know a rock band that is disliked more than Avenged Sevenfold. The most amazing
thing is that none of these “haters” have any credible reason to dislike the
band. It appears that ever since the turn of the millennium, any hard
rock/metal band that gains popularity of any kind gets a lashing; it’s impossible
to win. But at the end of the day I’ve never met any of these seemingly
professional music analysts in person, they prefer to remain hidden, while in
reality (you know, that world beyond the computer screen) I meet more and more
fans of the band as they become among this generations biggest hard rock acts.
I’m going to take the time to write an article on another
not-new album. This time I’m going to go back to the summer of 1990, when heavy
metal would forever change. Many who know Pantera
(and let’s face it, there are MANY) know the band to have been the band to
create the “groove” metal genre, though I’ve never truly understood, beyond the
music of Pantera, what classifies as a “groove metal” band. The band didn’t
truly break ground on this new genre until their 1992 album Vulgar Display of Power, but before
that, the world got a glimpse of what was to come with Cowboys From Hell.
Earlier this year, former Metallica bassist Jason
Newted’s new band, simply titled “Newsted”
released their 4-track debut EP Metal.
Earlier in the summer I wrote an article about it, not actually aware that
Metal was so quickly going to be followed up by a full length album.
Considering I’ve already written an article about the Metal EP, I suppose I can
skip the whole history of the band and what not, besides I’m sure most of you
already know who Jason Newsted is anyway.
If the name Five
Finger DeathPunch sounds
familiar, it’s probably because they’ve become one of the biggest names in
modern metal over the past five or so years. Coming in to the metal world with
their 2007 debut album The Way Of The
Fist, the band caught some attention with their song The Bleeding. It didn’t take long before they released their second
album, War Is The Answer, which
rocketed to number 7 on Billboard. When their third album American Capitalist went to number 3, it was clear that they had
established themselves with a true fan base.
Did anybody have their doubts when Black Sabbath announced a new album that it would be a display of
the same excellence that the band made a reputation of recording in the early
70s? I think a lot of people did. Even I, among the more optimistic of music
fans, was on the edge of my seat waiting to hear what 34 years of separation
would have done to the chemistry that Ozzy
Osbourne, Geezer Butler and Tony Iommi once had. I think when it
was announced that Bill Ward would
not be participating in this reunion for the ages, even more doubt was put in
the minds of fans. Hell, it created quite some backlash with fans, some even
boycotting listening the project altogether. It reminds me exactly of Van Halen carrying on without bassist Michael Anthony. What these estranged
fans (of both bands, frankly) have to consider to themselves is this: is the absence
of one member so much worse than the band as a whole never touring again?
I’ve been wondering for weeks how to start off this article
on the Butcher Babies. There is so
much I can say, but I don’t know what would kick this off on the right foot.
The reason being that every week or so I learn something different about the
band that changes my perception of what they are about. Originally I was
thinking of saying something along the lines of “some people would do anything
to get noticed”, since in the early days of the band, their two female singers Carla Harvey and Heidi Shepherd would perform on stage wearing nothing on the top
half of their bodies but tape covering their nipples. But not long after I
discovered them, they dropped that gimmick, which was initially a tribute to
punk legend Wendy O. Williams (the
band’s name comes from her song Butcher
Baby from the first Plasmatics
album).
Toronto-based band Heavens
Fire may not be a well enough known name in rock music, but they sure have
as interesting of a back story as any of the many bands to have come before
them. I personally think of Def Leppard’s
well documented misfortunes when I think of the heaven and hell that the band
has gone through over the past thirteen or so years. The story is well
documented on the bands Website, so
to shorten it slightly, after the release of their debut album in the year 2000
and what looked like a promising start having gained attention in Europe and
Japan, the band’s drummer suffered a very untimely death. Not long after that,
guitarist JT Harris was given months
to live after being diagnosed with cancer. After defying those odds and
surviving, JT’s father grew very ill
and the band was once again put on hold.
In the seven or so months since I started this website, I’ve
never been so nervous to write about an album. The reason being I’ve never
disagreed more with fellow reviewers on an album. Megadeth have been an established metal band for a couple of
decades now. Everyone knows the story, but for those who don’t I’ll be happy to
share; Megadeth mainman Dave Mustaine was originally the lead
guitarist and co-lead vocalist of a band. Metallica
was the name of this band, you may have heard of them. Anyway, he was kicked
out from the band practically overnight, and to get back at them he started Megadeth. They are coined a thrash
metal band due to the aggression and personal anger that was heard in the bands
first few albums, and because of the movement of thrash metal that was
developing directly around them. Some of these “thrash” albums the band released
were pure excellence, such as Peace
Sells...But Who’s Buying and Rust In
Peace.
I will admit to being a huge Ronnie James Dio fan, one of those fans who stand by the fact that
he is one of the most important figures in heavy metal. For those who don’t
know, after years of hanging around the music business with several
incarnations of his first band, which would end with the title Elf, Ronnie was asked to join none other than Deep Purple guitarist Ritchie
Blackmore in his first post-Deep
Purple band called Rainbow (or
as the first album read, “Ritchie
Blackmore’s Rainbow”). The band was essentially the Elf line-up just with Ritchie on guitar instead of guitarist David Feinstein. After various line-up
changes (which continued after Ronnie left), Ronnie continued his climb to the
heavy metal top by joining none other than Black
Sabbath after the departure of original lead vocalist, some guy named Ozzy Osbourne. It was now that Ronnie
gained the attention required to be a credible name in heavy metal. Having
already started a popular transition while in Rainbow with his lyrics of wizards and sorcery, he brought this
lyric style in to Sabbath’s sound, as well as the “devil horns” hand gesture
which became the heavy metal symbol from that moment on.
The “Story of Anvil”
sure was a popular one a few years ago in the wake of a documentary released
about the Toronto metal bands career. If you haven’t seen it, here is all you
have to know; it depicted yet another of the countless bands who set out to be
the next big thing but never became a Metallica
or Judas Priest or even a Saxon or Accept. There was, however a point in the early 80’s when it
appeared they might be. Their second album Metal
on Metal was praised by metal fans and metal musicians alike for its
proto-thrash sound, but due to mainly management botcheries the band just
became irrelevant.
California heavy metal band Holy Grail have the right idea. They have the apocalyptic dynamics
of a classic heavy metal band, the vocals of a thrash metal band, the pace of a
speed metal band and the lyrics of a power metal band. Ingredients of this
nature put in to one band makes for one hell of a ride. Most bands lately that
follow similar traits such as White
Wizzard (a band that at one point featured a couple of members from Holy
Grail) only succeed to make novelty songs that sound like an American New Wave
of British Heavy Metal Band (which worked for Metallica but that’s an exception). Holy Grail manages to keep
their sound more contemporary to something that more modern metal fans would
like while maintaining an appeal to classic metal fans as well, as opposed to
just appealing to the latter.
Jason
Newsted was always just a tad out of place in Metallica. He came in to the band just months after the death of
bass legend, and arguably the best metal bassist to ever record an album, Cliff Burton. Immediately after joining
the band he faced sort of an initiation by his band mates. My personal favourite
story is that when he would sign autographs for fans, he would write “bassface”
and when other members of the band signed the same item, they would cross out
the “b” in “bassface”...yah you get it. Even after the initiation ended he was
still just the new guy in the band, and that always held a spot in the memory
of the band and older fans of the band that he couldn’t seem to live up to
despite being an excellent bass player. Jason himself at many times during his
career still to this day has mentioned Cliff as being the best bass player to
ever live, to demonstrate that he knew he wasn’t ever in Metallica to be better
than Cliff.
Whenever I think of Danish metallers Volbeat, I think of the first time I ever discovered them. Like so
many of their fans, it was their fortune of touring with Metallica in 2009 that first introduced me to their unique sound. Having
not one clue about this band beforehand, not even knowing that Metallica had
more than one band (Lamb of God)
opening for them, I was completely taken. They didn’t put on a spectacular
show, for the most part they just stood there and played their instruments, and
let their music do the talking.