So this is going to be a unique review. Hard country rock
band Mark Stone and the Dirty Country Band is about to release their second album - simply called The Sequel - sometime in June and if
you pre-order the album, you get six tracks immediately, then when the album is
released, those who pre-ordered the album get the other four tracks that will
complete the album PLUS two bonus tracks exclusively to those who pre-ordered
the album (so 12 tracks altogether.) The thing that makes this, what will be a
review of The Sequel, so unique is that the second half of the album is so top
secret that Mark Stone would only give me the first six tracks from the album
(the six tracks you immediately get when pre-ordering the album.)
I do love a good blues rock tune. It’s something I’ve made
quite clear in previous articles. Both as a listener and as a guitar player it
is one of my go-to types of music to go to. It is a type of music that I find
really shows the true emotion behind the instruments played, and as per usual,
the more genuine emotion put in to a song (by the guitarist, the singer,
whomever) the better. I was happy when Albatross
gave me their EP Happenstance for
review, as I feel they have a good grasp on the blues rock genre.
Artists like Australia’s TurkTresize are unique. At least as of lately they are. While there are a few
artists that heavily wear their blues influence on their sleeve, Turk is
different. With his mixture of some blues, some country, some soul and add in
some total badass song writing, his appropriately titled album Soul Casino provides some excellence in
originality and a fearlessness to step outside of the box.
When Toronto hard rock band Wildheart gave me their EP Gypsy
Soul for review, I’ll admit that the first thing I did was judge them on
appearance, before giving them one listen. I thought to myself they’re just
another band trying to look and play the part of an 80s band, whose real talent
in performing and writing are oblivious to their attempt revive a musical genre
by only its clichés. Luckily I was wrong.
It took me a little longer than I’d like to admit to truly
appreciate Jake E. Lee. He is known
prominently as one of Ozzy Osbourne’s
most popular guitarists, having played on his immortal Bark At The Moon album, but it wasn’t until I first heard Shot In The Dark from his second album
with Ozzy, The Ultimate Sin, when I
first truly discovered who this man was. I was in my early years of high school
by this time. It was a little bit after then that I discovered Badlands; the other band Jake is well
known for. However, despite having found out of his existence, I still didn’t
truly have a grasp on how significant Jake E. Lee is as a guitar player. Just
before graduation, I got my hands on a copy of The Ultimate Sin and was blown away. To this day it remains my favourite
Ozzy album, completely because of Jake E. Lee’s ability to bring the best out
of Ozzy Osbourne as a singer.
You may recall a couple of months ago, almost to the day, I
wrote an article on a blues rock outfit by the name of The Bloody Nerve. They had released their three-track debut EPRed then and I had nothing but good
things to say about it, only to find out soon afterwards that they were
immediately working on a follow-up three-track EP called Blue. Of course, I had to get this EP to write up on again. Luckily
for readers, I don’t have to go through the long introductory paragraph(s) this
time around.
I first heard of Montreal’s Ladies of the Canyon from their cleverly placed YouTube
advertisement a few months ago. Like everybody, I hate those advertisements,
but I couldn’t help but find the song absolutely catchy. After a few times of
hearing this commercial I finally decided to check them out so I went and looked
for their new CD Diamond Heart (which
I found out wasn’t entirely new anymore), to find it in the country section. I
disagree with this placement and let me tell you why.
Nashville has famously been coined as “Music City” for years.
It’s no surprise really. It has been the designated home for country music for
decades; it got that nickname in 1950 and still stands tall to it today. It has
always been the city for country artists to migrate to, just as Los Angeles was
for rock music in the late 60’s/early 70’s. It is also the home of the Grand Ole Opry, which is essentially the
Country Music Hall of Fame; and apparently the oldest music hall of fame also.
But with such a reputation for country music, how would a rock band formed in
this city sound?
For the past few months, on every Tuesday (new music day) I’ve
been checking out any and every new rock album that comes out to see if it’s
worth a listen. I usually hope these albums aren’t too hard to get my hands on,
because I, of course, would like to write about them. A few weeks ago, I came
across The Rides. I was impressed,
on the short clips that I heard of a couple of their songs, at how they
sounded; blues-rock but more on the blues side, something I didn’t think modern
rock bands were capable of. I had only listened to bits of two songs before I
saw, right on the album cover, it showed the name Stephen Stills.
I don’t know if I’ve ever said this, but the basis of my
music interests, as wide as they stem, always comes back to that simple blues
influenced hard rock. Guys like Slash
or early Whitesnake, Thin Lizzy, Nazareth, etc. After listening to (and of course loving) the latest
in metal and alternative, I always find my way back to artists such as the
previously mentioned artists and remember that they are where my roots of my
love for music come from.