Showing posts with label David Draiman. Show all posts
Showing posts with label David Draiman. Show all posts

Saturday, 16 November 2013

Trivium "Vengeance Falls"

I’ve spoken negatively on “metalcore” before. It’s not that I don’t enjoy it. I do. It is good music to listen to when you want something loud, but in many cases, that’s all it is good for. Some bands stand out over others, but much of the time, it is the same blend of screaming and clean vocals; sometimes these clean vocals can be quite melodic, and sometimes just bland. A must in the genre seems to be fast virtuoso guitar playing with notes going so fast that you can’t even remember what just happened. Then there are the haters; the people who, no matter how hard the band tries to change their sound or whatever, still hate the band for everything they are.

Saturday, 13 July 2013

Megadeth "Super Collider"

In the seven or so months since I started this website, I’ve never been so nervous to write about an album. The reason being I’ve never disagreed more with fellow reviewers on an album. Megadeth have been an established metal band for a couple of decades now. Everyone knows the story, but for those who don’t I’ll be happy to share; Megadeth mainman Dave Mustaine was originally the lead guitarist and co-lead vocalist of a band. Metallica was the name of this band, you may have heard of them. Anyway, he was kicked out from the band practically overnight, and to get back at them he started Megadeth. They are coined a thrash metal band due to the aggression and personal anger that was heard in the bands first few albums, and because of the movement of thrash metal that was developing directly around them. Some of these “thrash” albums the band released were pure excellence, such as Peace Sells...But Who’s Buying and Rust In Peace.

Saturday, 20 April 2013

Device "Device"

By the time Disturbed released their fifth and most recent album, Asylum, in summer of 2010, fans pretty much had an idea of what a Disturbed album would sound liked; David Draiman’s growl of a singing voice and Dan Donegan’s heavy and sometimes over-computer processed guitar licks on top of many different electronic sounds that only a production studio could muster. There were definite differences between each album, but by the time Asylum came out, the band just sounded uninspired and unwilling to really try anything new. To no surprise the band would go on “hiatus” approximately a year later.