I do love a good blues rock tune. It’s something I’ve made
quite clear in previous articles. Both as a listener and as a guitar player it
is one of my go-to types of music to go to. It is a type of music that I find
really shows the true emotion behind the instruments played, and as per usual,
the more genuine emotion put in to a song (by the guitarist, the singer,
whomever) the better. I was happy when Albatross
gave me their EP Happenstance for
review, as I feel they have a good grasp on the blues rock genre.
In the year and a bit that I’ve been reviewing albums, I’ve
got my hands on quite a few independent albums by bands from all over the
world. Hell, since mid January, all but one album I’ve reviewed have been
recorded by independent bands. It’s refreshing to have finally been given the
follow up album to one of these bands for review. Last May I write about St.
Catherine’s Step Echo and their
album Jagged, an album that I was
impressed with as well as a few other people that I’ve played the album for.
Now I feel privileged that their independent record label Red Dragon Records felt comfortable sending me Songs for the Broken.
I’ve done over a hundred of these now so it’s getting hard to
find clever ways to introduce my articles. It’s frustrating really, I enjoy my
rants, sometimes relevant, sometimes not so much, but after thinking about it
for days, I just can’t find one this time. It’s unfortunate because Toronto
hard rock band Social Strife really
do deserve a good introduction to their featured article on my site for their
five-track self titled EP which is nothing short of a classic hard rock sound
that can stand pretty tall in today’s rock music.
I always love getting albums/EPs by unique bands. Some bands
are unique because they are hard to categorize, others are unique because they
aren’t in the realm of bands I’d usually review: not out of disinterest but
merely because I’m typically sent hard rock/metal albums, while my taste in
rock music does go far beyond that limit. London’s The Mouth of Ghosts doesn’t really fit under one specific
categorization. If anything, they’d be classified as one of the many
alternative bands out there, but there is no rock genre more diverse than
alternative. There are also surprising progressive elements to their music, as
well as the odd pop moment. They call themselves “trip-hop,” I never knew what
that was until reading that, but upon looking the genre up, their new EP You Will Go Again From Me is NOT
remotely anything close to “trip-hop.”