I’ve recently come across an EP by an Italian progressive
rock band named Il Rumore Bianco (“The
White Noise” in English). Their EP Mediocrazia
has only four songs, but those four songs take up twenty-seven minutes with not
one being below six minutes in length. Just like Yes’s Close To The Edge,
which has only three tracks and still clocks in at almost 40 minutes. Just to
give you an idea of how serious Il Rumore Bianco is to staying true to those
times.
The first of these songs, Tutto Un Sogno (pt. I) starts off with a two minute instrumental
that includes an eerie guitar riff and a good classic rock sounding organ with
a sounds that progresses louder and louder until it shows into the soft and
spooky singing voice singer Eddy Fiorio.
The rest of the song remains at a slow complex pace but provides a good fresh
sound that its listeners don’t often hear. My favourite part is the
instrumental break toward the end of the song, particularly about 4:30 in when
the organ takes front stage. I just love the sound of that organ. And true to
progressive rock standards, the song ends rather differently than it started.
The following track, Il
Vestito Buono is similar in style; it has a soft spooky feel to its
instrumentation and vocals. The chorus of the song picks up a bit compared to
the rest of the song, but the song feels to similar to the opening track. I mean
the musical arrangements are different, it is most definitely not the same
song, but it is hard to forget that until the middle music break, which takes
up a good two minutes of the song. This specific part of the song, which starts
at about the 2:30 mark and ends at the 5 minute mark, makes the song
noteworthy.
Il Primo
Attore thankfully changes things up a bit more, as is evident right
from the start. It starts off with kind of a jazzy sounding riff and the song
is heavily accompanied by the sound of a saxophone, further pushing the limits
of the bands fearlessness and progressive capabilities. It is still a slow
paced song, but it still manages to sound different from the previous two
songs.
The album ends with Tutto
Un Sogno (pt. II). Despite its similar title to the opening track, it is
actually a rather different song. The song is longest track on the album,
clocking in at just over nine minutes, mostly due to the song being the slowest
song on the album. The band loosens up a ever so slightly, with the
instrumentation not being quite as precise. The rather basic drum beat in the
back ground helps with this transition in sound.
I must commemorate Il
Rumore Bianco. It is obvious that there are some very talented musicians in
the band who are not bad at writing music; each song impresses me, so much so
that I forget that I don’t understand the Italian lyrics. I can’t help but wish,
however, that they’d fit in a faster melody, if not for a whole song than for a
portion of a song. At no real point in the album did the bands pace surpass a
slow pace, even if they do grow on you. I’d be more impressed with Il
Rumore Bianco’s ability to play as a band if they put forth the same
complex time signatures and changes but to a faster song. Regardless, Mediocrazia is the closest thing I’ve
heard to classic progressive rock in any modern day band. I can’t see why
others would disagree to that. I look forward to seeing how they grow as
musicians and song writers.
ALBUM HIGHLIGHT
“Il Primo Attore” – While the whole album
had a very strong jazz influence, as did a lot of progressive bands, this song
brought that influence more to the forefront. I find this song to be the most
unique song on the album, not just because it sounds the most different from the
other tracks on the album, but because this is the kind of song that I think
modern bands should take note of if they wish to sound like better musicians.
FINAL RATING
7.5 (Out of 10)
Track List:
1.
|
Tutto Un Sogno (pt. I)
|
6:13
|
2.
|
Il Vestito Buono
|
6:19
|
3.
|
Il Primo Attore
|
6:11
|
4.
|
Tutto Un Sogno (pt. II)
|
9:05
|
No comments:
Post a Comment