These albums were not only different from each other (The Unravelling
was from start to finish a hardcore punk album while Revolutions had slightly
longer songs and a bit more melody) but they are also completely different from
anything the band would ever release again. Their first major label release, Siren Song of the Counter Culture,
started a more melodic punk sound for the band, while still very much
maintaining a lot of heavy riffs and some harsh singing, still able to please
the early fans, but with songs like arguably their biggest hit Swing Life Away, they gained new fans that
would stick through the ever changing transition on the band’s sound.
I’ve heard the arguments regarding the band, whether they
really are a punk band or not, because after their first three albums, lead
vocalist Tim McIlrath got less and
less harsh with his vocal approach, and for the next three albums, the band
progressed more and more in to more mature, ear friendly sounding songs. I know
plenty of “fans” who claim to love the band, but would only listen to the past
three albums. That kind of pisses me off, so I can see why early fans don’t
like calling the band “punk” anymore, but in reality, even with the music they
perform now, the band is still a punk rock band, with their politically
challenging lyrics and their remaining “Fuck you” attitude.
The bands most recent release on September 10th, Long Forgotten Songs: B-Sides & Covers
(2000-2013) is a collection on B-Sides and covers all previously recorded
and released separately, now released in one full set. The album was cleverly
compiled; the first half of the album features, for the most part, features the
more melodic songs recorded throughout the bands career, with the exception of
a few songs like Grammatizator and Generation Lost. The second half of the
album, for the most part, features songs from the more hardcore days of the
band. Every song on the second half is under three minutes, and with the But Tonight We Dance which, though it
is under three minutes, it is not a hardcore song.
The first official track from the album, Historia Calamitatum features the same familiar Rise Against sound
that current fans like, as the song was recorded while recording the 2008 album
Appeal to Reason. The next song, and
first official single from the album Death
Blossoms is also an Appeal to Reason outtake (as I find most of the first
album are). This track features the screaming vocals of Tim McIlrath, which I
never did say have gone away completely, he just chooses to use that vocal style
less, as it is a limiting style of singing.
The remainder of original songs from the first half of the
album include the gloomy and intense Elective
Amnesia, the previously mentioned Grammatizator
and Generation Lost, Dirt and Roses, originally released on
the Avengers Assemble soundtrack, an
album I recommend picking up. The first half of the album also includes the
fast paced Sight Unseen and the very
well written Lanterns. A spotlight
on the first half of the album is the acoustic version of the bands song Everchanging. The original version of
this song was released on the bands hardcore debut. While it wasn’t the harshest
song on the album, this acoustic song gives a terrific new perspective to the
track.
The first half of the album, just like the second half,
includes a few cover songs. Blind is
a cover of the punk band Face to Face’s
song. Musically the song stays true to the original, starting off softly but
very quickly changing in to a heavy track. The difference, which like for Rise
Against’s sake, is the vocals and much better, as Face to Face’s Trever Keith is a fully fledged punk singer,
where Tim’s vocals are much more superior. Rise Against also covers the Bob Dylan track Ballad of Hollis Brown. Before hearing their cover, I had already
known of another cover of the song, done by Nazareth. I always enjoyed how Nazareth turned the song completely
into their own, only keeping the lyrics the same. Rise Against stays more true to the original, just turning it in to
a bit of a punk song by adding a full band of instruments, making this another
enjoyable listen. The last of the covers is a cover of the Nightmare Before Christmas song Making Christmas. This is the most interesting point of the album,
because it is really great to hear the song turned in to a rock song, and for
the fan who, for some reason, doesn’t know the original song, the band did an
incredible job of making the song sound all around appealing to any listener.
The second half of the album starts off with the first song
ever recorded by Rise Against. Join the Ranks is a good fast melodic
hardcore track sounding just like the songs off of The Unravelling. Actually, I find this song to be better than just
about anything off of their debut and wonder why they didn’t release it on the
album. The second half of the album also includes Voices of Dissent, which was recorded much later on in the bands
career which is why, while it is a melodic hardcore song, it sounds a bit
different than the rest. There is also an early version of the bands song Give It All, which doesn’t sound too
much different from the version that was recorded on their Siren Song album.
Other original melodic hardcore songs include Obstructed View and Gethsemane,
the latter of the two is now a bonus track on The Unravelling, so if you have
that album, you may already know Gethsemane.
Covers on the second half of the album include a cover of Built To Last by legendary hardcore
punk band Sick of it All, staying
pretty true to the original. There is a cover of Little Boxes, a song from 1962 by Malvina Reynolds but best known as the theme song for the show Weeds. It starts off true to the acoustic
vinyl sounding original until about 30 seconds in, when the band just goes all
out punk on the song, topped with an “angry breakdown” at the end. The album
has two other classic hardcore punk covers, a live recorded cover of Minor Threat by the band of the same
name, and a cover of Black Flag’s Nervous Breakdown.
The compilation then ends with four straight covers. This
includes one last hardcore punk cover, Boy’s
No Good, originally by Lifetime.
Then there is an interesting cover of the Journey
classic Any Way You Want It.
There is nothing special to the song in respect to the fact that the band didn’t
change much to the song, except for down tuning it. It is interesting to hear
Tim McIlrath singing the song though. Nirvana’s
Sliver is, but after having heard a
few attempted covers of this song, I’m convinced that only Kurt Cobain could have ever pulled a song such as this one off.
The final cover and final song on the album is a live, eight-and-a-half
minute cover of the Bruce Springsteen
song The Ghost of Tom Joad. The song
was played live for fun, as Tim says right before the song starts after
including the three guest musicians on the album; Gaslight Anthem’s lead vocalist/guitarist Brian Fallon, legendary proto-punk/proto-metal band MC5’s Wayne Kramer on guitar as well as Tom Morello (who REALLY got the crowd cheering). The song is good
to listen to, especially if you like the original or don’t mind the heavy
sounding Springsteen-esque sound of the song. It’s hard to go wrong with how to
end a compilation such as this, so I think the chosen song was perfectly fine.
This compilation is terrific for existing fans of the band.
As for people who have never listened to the band, I actually believe that this
compilation wouldn’t be a bad way to be introduced by the band. It features
just about every style of music the band has ever covered. One thing I really
enjoy about the band is their ability to release many different styles of songs
all in one album; acoustic, serious, angry, fast, even some fun songs are in
their repertoire. I find that all of these styles are covered in this
compilation of B-Sides. For existing fans, the booklet of the compilation
reveals the original release dates of these songs and when soundtracks/EPs they
were released on, which I found to be an interesting tidbit.
ALBUM HIGHLIGHT
“Death Blossoms” – A compilation is
never a good situation to pick a highlight from. The purpose of a compilation
is to have an album full of highlights. Fortunately, unlike most compilations,
this is not a Greatest Hits, so it doubles as a regular album release by the
band. What further complicates the choice for a highlight, however, is the ever
changing (no pun intended) sound on the album. I choose Death Blossoms because
it has the sound of modern Rise Against songs, as it is a more modern song by
them, but also has their hardcore roots perfectly in place.
FINAL RATING
8.5 (Out of 10)
Track List:
1.
|
Historia Calamitatum
|
3:23
|
2.
|
Death Blossoms
|
2:35
|
3.
|
Elective Amnesia
|
3:55
|
4.
|
Grammatizator
|
2:10
|
5.
|
Blind (Face
to Face cover)
|
2:34
|
6.
|
Everchanging (Acoustic)
|
4:22
|
7.
|
Generation Lost
|
3:48
|
8.
|
Dirt and Roses
|
3:13
|
9.
|
Ballad of Hollis Brown (Bob Dylan cover)
|
5:12
|
10.
|
Sight Unseen
|
3:56
|
11.
|
Lanterns
|
3:52
|
12.
|
Making Christmas (A Nightmare Before Christmas cover)
|
3:27
|
13.
|
Join the Ranks
|
1:29
|
14.
|
Built to Last (Sick of It All cover)
|
1:55
|
15.
|
Voice of Dissent
|
2:00
|
16.
|
Little Boxes (Malvina Reynolds cover)
|
1:29
|
17.
|
Give It All
|
2:49
|
18.
|
Minor Threat (Minor Threat cover)
|
1:40
|
19.
|
Obstructed View
|
2:04
|
20.
|
But Tonight We Dance
|
2:47
|
21.
|
Nervous Breakdown (Black Flag cover)
|
2:09
|
22.
|
Gethsemane
|
2:30
|
23.
|
"Boy's No Good" (Lifetime cover)
|
1:20
|
24.
|
Any Way You Want It (Journey cover)
|
2:57
|
25.
|
Sliver (Nirvana
cover)
|
2:04
|
26.
|
The Ghost of Tom Joad (Bruce Springsteen cover)
(special
guest musicians: Tom Morello, Wayne Kramer & Brian Fallon)
|
8:37
|
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