People generally know the story, while drugs and alcohol took
their effect on the band; Phil was the worst off out of everyone and
subsequently after all the arguments and physical fights, the band broke up.
About a year later, in December of 2004, Dimebag was fatally shot while on
stage with his new band Damageplan
which caused a travesty in the metal world still felt to this day which
subsequently left Dimebag’s brother Vinnie vowing that he would never talk to
Phil again.
Since Pantera’s
demise, Phil has tried to turn his life around. To watch him speak is a little
hard, because he looks like he’s either permanently angry or just in a lot of
pain. He made amends with Rex Brown years ago, and has even been somewhat
forgiven by Darrell’s long time girlfriend Rita, but still there’s no luck in
Vinnie ever forgiving him.
He has remained active in music, particularly with his band Down, which formed while he was still
very much an active member of Pantera
in the early 90’s, as well as the now defunct Superjoint Ritual. He recently released his first solo album Walk Through Exits Only , under the
band moniker “Philip H. Anselmo and the
Illegals”. Now every band Phil has ever sung for has been of the “groove”
metal genre, a style that he and Pantera
are credited to having started. This new solo album is, well it is just angry.
It doesn’t have a groove, it doesn’t have a rhythm. It just has angry noise and
yelling.
I always regarded Phil’s vocal performance on Pantera’s Cowboys From Hell album to be the best metal vocal performance
since Judas Priest’s Rob Halford (I’ve raised many eyebrows
in the past saying that, but I stand by it). Phil has unfortunately strayed
VERY far from that raspy voice which, while it was very wild and angry, could
carry a note perfectly. Then with the all around revolutionary Vulgar Display of Power, Phil started aggressively
yelling more than singing, which at the time was just fine, I mean it made the
music all the more intense. But by the time it got to Pantera’s The Great Southern
Trendkill album, it was clear that Phil’s voice was rapidly decaying. Now
that was in 1996, imagine what he’s continued to do to it over the years. But
if you listened to him sing This Love
this past May at the Revolver Golden God
awards, you’d have heard that he can still sing that song almost perfectly.
This solo album wouldn’t have helped his voice at all. Take
the first track, the not even two minute long Music Media Is My Whore. The song is essentially a heavy marching
band styled music playing in the back while Phil yells out angry lyrics. Then
on Battalion of Zero, the music just
thrashes and bashes incoherently behind Phil yells even louder lyrics of
disgust towards whatever he’s mad at now.
To be honest, I haven’t gotten lazy and I certainly haven’t
lost my touch, but that’s all I can really say about the album. The remaining
songs are hardly any different from one another. To listen to songs on their
own, I’d say the songs are good real aggressive metal tracks, especially for
the angry soul that needs a quick fix. To listen to the album in its entirety,
well let’s say since my first time listening to it in full, I’ve tried to do it
again, but I just couldn’t. By the time I get to the title track I’m just lost.
I applaud Phil, however, for still being THIS pissed at the world, and going
ten steps further to show just how pissed he is.
ALBUM HIGHLIGHT
FINAL RATING
6.5 (Out of 10)
Track List:
1.
|
"Music
Media Is My Whore"
|
1:54
|
2.
|
"Battalion
of Zero"
|
4:20
|
3.
|
"Betrayed"
|
5:28
|
4.
|
"Usurper
Bastard's Rant"
|
3:57
|
5.
|
"Walk
Through Exits Only"
|
5:34
|
6.
|
"Bedroom
Destroyer"
|
5:03
|
7.
|
"Bedridden"
|
2:25
|
8.
|
"Irrelevant
Walls and Computer Screens"
|
12:01
|
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