Over ten years later, JT,
bassist Andy Narsingh and new
drummer Alexis Von Kraven finally
decided to start up the band again, this time taking a different direction. The
band originally started as a progressive rock outfit, JT himself having guitar skills comparable to the likes of Dream Theater’s John Petrucci. This time around, the band took those early roots
and blended it in with more traditional sounding hard rock, making a very
unique sound. The addition of vocalist Darren
Smith, originally the drummer of Canadian melodic rock veterans Harem Scarem, helped the transition
with his charismatic presence and powerful voice.
Having had the privilege of catching the band perform (and
ultimately getting exposed to them in general) while opening for Harem Scarem’s reunion show, I
witnessed firsthand what Heavens Fire
is made of. Right away I found it difficult to perfectly categorize them;
especially once Darren hit the stage
(the band started the set with three songs from their debut which feature Andy on lead vocals). Darren was all over the stage and in
the crowds face, sort of like a modern dark haired David Lee Roth, but the music behind his singing was so much more
than just your typical hard rock. Due mostly in part to the guitar playing of JT, the music had showings of
progression similar to the previously mentioned Dream Theater, with JT’s ability to shred but not let that
ability define his guitar playing, keeping him from being anywhere near your
generic modern day metal guitar player.
I left that show with the bands recently released new album Judgement Day. Hearing the band on
album gave me an even different perception of the band after I noticed a sense
of “power” metal influence in the sound of some of their songs. The opening
track, Screamin’ starts off with an
apocalyptic blend of guitars and keyboards, typical to how many “power” metal
songs sound. The chorus of the song reminds me somewhat of power metal band Firewind, only rather than singing
about dungeons and dragons, the lyrics touch a more personal realistic level, further
stumping me to find a proper category for the band.
The second track, All
For One, maintains the dark sound of Screamin’
but turns the pace up a bit. This song leads in to the first of the albums two
power ballads, Just For Tonight. The
song remains very dark to the ear, with soft sung verses and soothing guitar
sounds, until the passionate hard hitting chorus. The second of these power
ballads is Lost. This song is a
whole lot more light hearted, both in words and music, compared to Just For Tonight. Topped with a
powerful chorus, this song is a definite high point for the album.
Songs such as The Best
I Can, Free Your Love, Big Stage and Waste of Life lean more toward the bands simple hard rock sound,
getting rid of the Dream Theater influence and turning up more of a hair metal
influence; but the early days of hair metal when you could still call them “metal”,
not the later days after bands like Poison
started making a joke of it. In particular I’m reminded of Dokken when listening to these songs, with the heavy and still
rather dark sounding music in the background with a fun yet serious voice
singing. Darren Smith and Don Dokken are two completely different
singers though. On a side note, it should be pointed out how after over twenty
years, Darren’s voice still sounds
exactly the same from when he sang Sentimental
Blvd; his lone lead vocal track with Harem
Scarem back in 1993.
Daydream
Believer and Blame You
bring back a bit of the progressive power metal sound from the beginning of the
album, especially the latter song. It is a slow paced track, but just as hard
to categorize as all of the other tracks. The lyrics are still on a personal
and realistic level, lacking the fantasy that so many other songs with similar
sound would have contained.
The album ends with Awakened;
the second of the albums two instrumentals (the first of the two being 187, heard right after Lost). The entire album to this point
has been a terrific display of JT Harris’s
fantastic talent at playing the guitar. Each song has had a mixture of
different influences as well as a fair bit of originality, but it is on Awakened that he chooses not to hold
anything back. Though a slow ballad in terms of its pace, this doesn’t take
away from JT’s ability to impress
anyone who listens to it. To emphasize on a previous comment I made, most
modern metal guitarists try too hard to impress, they just want to play fast,
which for all intents and purposes is super impressive, but unoriginal. JT has the ability to play just like
these guitarists, but chooses the more intelligent root. He’s searching for an
identity beyond just being a fast guitar player. This song is as good as any to
put on his personal best list.
After listening to the album multiple times, I’m still stumped
to categorize it. But then again I realize I’ve made the point in previous
articles that nowadays we categorize the life out of every song ever recorded
(something I’m far more than guilty for). It is suffice to say that Heavens Fire is a hard rock/heavy metal
band. There really is no need to beat it to death, but it is important to point
out again the unique blends of different influences that make this album so
different from most other hard rock/heavy metal albums to have ever been
released.
ALBUM HIGHLIGHT
FINAL RATING
8 (Out of 10)
Track List:
1.
|
Screamin’
|
4:46
|
2.
|
All For
One
|
4:17
|
3.
|
Just
For Tonight
|
3:59
|
4.
|
Best I
Can
|
4:31
|
5.
|
Free
Your Love
|
3:55
|
6.
|
Big
Stage
|
4:37
|
7.
|
Daydream
Believer
|
4:35
|
8.
|
Lost
|
4:20
|
9.
|
187
|
2:57
|
10.
|
Waste
of Life
|
4:27
|
11.
|
Blame
You
|
4:37
|
12.
|
Awakened
|
5:07
|
Great Band Excellent Players Superb Stage Presence and Really Nice Approachable Guys
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