For those who don’t know, Volbeat, led by Michael Poulsen and accompanied by other
mainstays Jon Larsen on drums and Anders Kjølholm on bass, as well as a lead guitar spot that seems
to change every few years, have a very unique mixture of influences in their
sound. In particular, when I first saw them I couldn’t believe how well they
blended traditional thrash metal with rockabilly and bluegrass, with songs such
as Sad Man’s Tongue and 50’s golden age of rock and roll on songs like We
and especially Radio Girl. At the time they only had three albums, The
Strength/The Sound/The Songs, Rock The Rebel/Metal The Devil and Guitar
Gangsters & Cadillac Blood, which all fared very well in their home and
native land of Denmark. This tour with Metallica was exactly what they needed
to break out of their home and cross the waters in to North America to become
one of the more household names in metal.
After
immediately trying and eventually succeeding to find all of their albums, I was
amazed by their musical intelligence, especially on Guitar Gangsters. The album
had a few less than great moments, but songs such as Light A Way and Back
to Prom were like nothing I had heard before. Then not long after that, they
released Beyond Hell/Above Heaven. This time the band continued to pile
on influences on songs such as 7 Shots and maintaining that 50’s malt
shop drive in sound on 16 Dollars. In early April, they followed up with
their fifth album, Outlaw Gentlemen & Shady Ladies.
Outlaw
Gentlemen & Shady Ladies may have a lot of what makes Volbeat sound like
Volbeat, however the band seemed to have concentrated on simplifying things a bit.
It is still a nice heavy album and continues to follow some sort of story that
the band started on songs going back to their first album. They continue to
sing songs about made up characters and their mysterious tie-ins to the story
line. A very obvious change in the albums sound is the addition of former Anthrax
guitarist Rob Caggiano; the first non Danish musician to ever play in
the band. His addition gives the band something they have never had; a bona
fide lead guitarist. His guitar solos do not go unnoticed.
The
album starts off with a bluegrass-esque instrumental, much like Guitar
Gangsters did years earlier. Let’s Make Some Dust leads in to Pearl
Hart, one of the characters the band has introduced in to their strange
little story. The song is typical of Volbeat songs, it has a heavy back tone
with nicely sung lyrics that could otherwise be a love song had they been
performed by anybody else (another of Volbeat’s traits that make them unique).
The
following songs, The Nameless One, Dead But Rising and Cape of
Our Hero are very similar to Pearl Hart in the sense that they are just
Volbeat metal songs. All of them sound absolutely great, they all have their
defining metal moments but include the odd sentimental break that speaks to the
heart of their listener. There may be some bluegrassish influence in some parts
but all in all they are simple metal tunes that don’t require much other description.
Cape of Our Hero is the first single released from the album, and for good
reason. It takes a while for the listener but they will eventually hear this is
a special heartfelt tune, but any of these three tracks could have sufficed as
the albums lead single. The second single, The Hangman’s Body Count
doesn’t have as much of a light hearted side, but is otherwise another straight
up Volbeat metal song that won’t disappoint
Volbeat
have had many guest musicians on their albums. Their second album had fellow
Danish musician Johan Olden of the band Magtens Korridorer,
then they eventually moved up to having better known guests such as Napalm
Death’s Mark “Barney” Greenway and Kreator’s Mille Petrozza.
Well for this album, Volbeat was graced by the presence on heavy metal legend Kim
Bendix Petersen, better known to metal fans as King
Diamond. As expected by anyone who
anticipated so, the song is excellent. King Diamond himself sounds in fine form
and the band doesn’t seem at all intimidated by having such a presence on their
album.
The other guest musician on this
album is (my fellow) Canadian Sarah Blackwood of indie band Walk Off
the Earth, famous mostly for their YouTube video of them covering the Gotye
song Somebody That I Used To Know with all five members playing one
guitar. The song that she guests on is Lonesome Rider. This song is the
first song on the album that truly mixes inspirations away from just metal. The
song has a country/bluegrass sound and beat heard throughout. Sarah’s vocals do
not sound out of touch with the song. She fair’s quite well at harmonizing with
Michael’s voice. Her guest appearance on the album should not scare people
away, especially not fans of the band whom are sure to see the innovation of
this song.
An odd inclusion on the album is a
cover of My Body, made famous by Young The Giant a couple of
years ago. For anyone that knows, My Body, while a rock song, is NOT a metal
song. Volbeat in the past has turned classics such as I Only Want To Be With
You in to metal songs rather successfully, but this time they didn’t change
much. Listening to both the original and this cover, the only difference is
that it is maybe a little heavier, maybe a tad more accessible for fans of
Volbeat who aren’t fans of the original, but it is a curious inclusion. The
band has been playing the song live as of lately, so perhaps the reception they
have been getting from crowds told them they should try recording it. I
personally enjoy it, but I’m not convinced it will turn the hearts of every
listener. You would have to already be a big fan of the band to truly like this
track.
The Sinner Is You fits in
with earlier tracks as your basic Volbeat metal song. It is another heartfelt
song that could easily be re-recorded as a ballad by any other band. This
stands out over the others thanks to its melodic guitar playing heard
throughout, straying away from just having a guitar playing chords, making it
more pleasant to listen to compared to other songs on the album.
The album ends with Our Loved
Ones. Not the heaviest of songs the band has ever recorded, it has a rather
slow pace and concentrates on its lyrics, but doesn’t lose the listener thanks
to the strong musicality put in to the song writing.
I always remember that first time
seeing Volbeat. I remember before they ended their set with We,
some idiot a few rows behind me decided it would be funny to yell “YOU SUCK” at
the top of his lungs, prompting some people to laugh. Luckily it was at the Air
Canada Centre so there is no chance the band heard, but I remember in that
moment thinking “I hope these guys become huge so that the idiot could eat his
words”. Thankfully that sort of came true. I mean Volbeat aren’t huge, but they
are very widely respected with metal musicians and fans alike and have come a
long way since that 2009 concert.
Outlaw Gentlemen & Shady Ladies is not the best work the band has ever done. My personal favourite album
would be Guitar Gangsters & Cadillac Blood, and their strongest
point as musicians would be either that album or Beyond Hell/Above Heaven.
Both of those albums featured songs that sounded very different from each
other, with some similarities, but still kept the band a unique piece of art, despite
both albums having some weak moments. Outlaw Gentlemen does not fit that
description quite so well. It is very much a metal album, but for the most part
that is all. It is filled with songs that may not sound alike but do have the
same feel for the most part. With the exception of some bluegrass heard
throughout, the album just doesn’t have the experimentation that makes the band
so unique. I would still, however, recommend this album to any metal fan any
day of the week, I would just hope that if someone were to listen to Volbeat
for the first time that it would not be this album.
ALBUM HIGHLIGHT
“Black Bart” – While as mentioned
before, so many of the songs are metal songs, mostly heartfelt, somewhat
inspirational in terms of music with nice heavy tone behind them, this song is
not necessarily one of them. It is among the heaviest songs on the album, this
and Doc Holliday would both have to
be the heaviest on the album. This track however has a more classic Volbeat
attitude to it that would give listeners an idea of the kind of music the band
has been releasing for the past almost decade. It goes from heavy and thrashing
verses and riffs to slow doom-like choruses. Rob Caggiano is more than apparent in this song, with his kind of
show stopping guitar playing that the band has just never had before.
FINAL RATING
8.5 (Out of 10)
Track List:
1.
|
"Let's Shake Some Dust"
|
1:28
|
2.
|
"Pearl Hart"
|
3:27
|
3.
|
"The Nameless One"
|
3:53
|
4.
|
"Dead But Rising"
|
3:35
|
5.
|
"Cape of Our Hero"
|
3:49
|
6.
|
"Room 24" (featuring King Diamond)
|
5:07
|
7.
|
"The Hangman's Body Count"
|
5:15
|
8.
|
"My Body"
|
3:42
|
9.
|
"Lola Montez"
|
4:28
|
10.
|
"Black Bart"
|
4:48
|
11.
|
"Lonesome Rider" (featuring Sarah Blackwood)
|
4:05
|
12.
|
"The Sinner Is You"
|
4:15
|
13.
|
"Doc Holliday"
|
5:46
|
14.
|
"Our Loved Ones"
|
4:51
|
Very helpful review, thanks mate! Only discovered Volbeat 3 days ago so just learning about their music, all of the recommendations have been awesome songs so far!
ReplyDelete