Pop punk band Paramore
have practically made a career for themselves, at such a young age, for being
one of the most recognizable names in modern rock. They have released three
albums, 2005’s All We Know Is Falling,
2007’s Riot! And 2009’s Brand New Eyes, all of which have a
distinctive signature sound that no other band has really been able to
duplicate. Much of the credit for the band’s sound has always gone to lead
vocalist Hayley Williams and her
powerful yet charming voice and her capability to sing a rock song and still be
taken seriously. Not enough credit ever does go to the band itself, which
consists of bassist Jeremy Davis,
guitarist Taylor York (who joined in
2007) as well as the Farro brothers Josh and Zac respectfully on lead guitar and drums.
Kansas City rock outfit Alice
Sweet Alice has been compared to a few artists since they started recording
music. Artists such as Evanescence and
Garbage have been mentioned in the
same sentence as them rather frequently. Understandably they have a uniquely
dark style of an alternative rock sound, which is complimented by the spooky
yet smooth vocal styling of female singer Ali
Kat, whom I personally would compare to that of DoloresO’Riordan of The Cranberries, only without the
distinctive lilting style of singing that Dolores has. What is important is that ASA do in fact have
their own identity, which has been showcased on three independently released
albums, from 2008’s First Light to
2009’s Moloko
& Ultraviolence, and their most recent
release, 2011’s Mandala.
By the time Disturbed
released their fifth and most recent album, Asylum, in summer of 2010, fans pretty much
had an idea of what a Disturbed album would sound liked; David Draiman’s growl of a singing voice and Dan Donegan’s heavy and sometimes over-computer processed guitar licks
on top of many different electronic sounds that only a production studio could
muster. There were definite differences between each album, but by the time
Asylum came out, the band just sounded uninspired and unwilling to really try
anything new. To no surprise the band would go on “hiatus” approximately a year
later.
I had so much fun reviewing Art of Dying’s Vices and Virtues a few months ago, and I’ve enjoyed writing my reviews of independent
bands and their independently released albums so much that I decided to mix the
two, to show how far these bands can possibly go.
It has been well documented lately how Canadian progressive
power house Rush have made it from
being the world’s “Least-Hip Rock & Roll band” to being one of the biggest
names in rock history. And this is true. There was a time when Rush fans may
have stayed in the closet of their love for the band, didn’t really go out and
admit they were fans because they weren’t the coolest band around. In the past
ten or so years this has changed drastically; so much so that the band is about
to be inducted in a Rock and Roll Hall
of Fame.
Probably the best albums to review are the ones by
independent artists. These are the bands that know they have everything to lose
and everything to gain, so it’s important to put every bit of effort possible
in to the songs they record, and the ones who really know what’s good for them
put even more effort in to their live shows.
Long gone are the days that classic rock mammoths KISS were a relevant rock band that
were taken (to an extent) seriously. They went from being revolutionary
shock-rockers with their then never before seen rock shows, to recording many
anthems that are still listened to religiously by rock fans to this day, to
taking off the make-up and letting their music do the talking. Then in the late
90’s when the make-up came back on, that changed everything. Ever since, KISS have been pretty much just a
novelty act.
We’ve done ¡Uno!, then ¡Dos! , finally, part three of the recent Green Day trilogy. ¡Tré!, appropriately featuring drummer Tre Cool on the cover, was said to be
the album to feature the “epic” songs. Billie
Joe Armstrong described the three albums accordingly: The first album is
like you’re on your way to the party, the second album is like you’re at the
party and going full swing, and the third album you’re just cleaning up the
mess that was made. While it is true that this is the only of the three albums
to feature instruments other than the basic three instruments needed to make a
rock album, it is not filled with epics, but it does feel like its cleaning up
a mess.